The latest published reporting in this category.
The thrilling and twisty Netflix show is in its fourth season. If you’re not caught up with this French caper you’re missing out
Read moreDiscover what’s coming to Netflix, HBO Max, Disney+, Prime Video and others in October, including an Anthony Bourdain biopic, a new show from Mike Schur and an Australian take on ET
Read moreFrom Hamilton to the ‘Epstein class’, we have long been fascinated by a charismatic yet shadowy set of power brokers. American aristocracy is alive and well in this country
Read moreFrom Virginia Woolf’s horrifying views on eugenics to James Strachey’s seminal translations of Freud, the Bloomsbury set didn’t only experience mental illness, they shaped how society thinks about it ‘As an experience,” Virginia Woolf wrote in 1930, “madness is terrific and not to be sniffed at … In its lava, I still find most of the things I write about.” Woolf’s 1941 suicide by drowning in the River Ouse, her pockets weighted with stones, is usually framed as evidence of her tortured genius. But a new exhibition at Charleston in Lewes radically excavates this narrative while challenging idea
Read moreMucus, alien gristle, a tentacle-bearing penis and, of course, the pregnancy of the title are all borne with deadpan calmness in this underplayed comedy
Read moreElsinore is in contention for 12 Bifas, including for Scott’s highly praised performance, while Clio Barnard’s I See Buildings Fall Like Lightning, Ashley Walters’ Animol and Mike Leigh’s Tender Loving Care are also recognised Elsinore, the drama in which Andrew Scott plays the actor Ian Charleson as he takes on Shakespeare’s Hamlet in the last months of his life, before he died of Aids in 1990, has emerged as the leading contender for the British independent film awards (Bifas). The film, which is directed by Simon Stone and co-stars Olivia Colman, Billie Piper and Johnny Flynn, received 12 n
Read moreThe significance of the poet and playwright’s homosexuality was repressed in Spain for decades – but a spate of recent work, including the film La Bola Negra, is redressing the balance for a new generation Patricia Langa parades on to an invisible stage in a basement room of Instituto Cervantes in central London, locked into the character of Conchita, a professional mourner loosely based on the sorrowful heroines of Federico García Lorca’s 1936 play, The House of Bernarda Alba. “His voice was too loud, too queer, too alive for those around him, filled with jealousy and hatred,” she tells her i
Read moreThe closure comes following a "regular review of rides and attractions", Alton Towers says.
Read moreRadio host Owain Wyn Evans hopes Children in Need bike challenge will inspire others to 'make a change'.
Read moreThe Detroit techno pioneer, who has died aged 64, blended funk and electronics with information-age philosophy to create music of huge power and influence Juan Atkins, the originator of techno who died on 31 October, spent his lifetime translating a fascination with the future into sound. He was the oldest of the founding fathers of techno known as the “Belleville Three”, along with his junior high school friends Kevin Saunderson and Derrick May. He was the first of the trio to buy a Korg MS-10 synthesiser, and also taught the others how to DJ on turntables. His work in the duo Cybotron alongs
Read moreKatharine Round’s documentary puts cameras in taxis where drivers and fares reflect on the disaster’s impact and talk of crowds of spectres and disappearing passengers In a manner similar to Ryūsuke Hamaguchi’s Drive My Car, in which journeying lulls passengers into greater intimacy, this nocturnal taxi odyssey through the tsunami-hit city of Kamaishi on Japan’s east coast clears the road for the subconscious to manifest. Conversations between the drivers and their customers drift back towards the cataclysm of the 2011 earthquake and tsunami with an undertow of grief, loss and absence. But at
Read morePlaywright Richard Nelson’s acclaimed Rhinebeck Panorama series returns for another timely look at the fictional Apple family living in a divided America Richard Nelson learned a great lesson, cliched as it is, late in his writing career: the thing you toss off without overthinking can end up being some of your life’s greatest work. In the program notes for We’ll See, the latest in what has become a 12-play series, he admits he used to view the plays as “disposable, because of their being tied to a given time and place”. Every November from 2010–2013, Nelson checked in on the fictional Apple f
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